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<channel>
	<title>jun!yi min</title>
	<link>https://junyimin.cargo.site</link>
	<description>jun!yi min</description>
	<pubDate>Tue, 02 Sep 2025 16:32:12 +0000</pubDate>
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	<language>en</language>
	
		
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		<title>Main</title>
				
		<link>https://junyimin.cargo.site/Main-1</link>

		<pubDate>Wed, 28 Aug 2024 10:34:37 +0000</pubDate>

		<dc:creator>jun!yi min</dc:creator>

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		<description>&#60;img width="5310" height="7958" width_o="5310" height_o="7958" data-src="https://freight.cargo.site/t/original/i/9947927a62de2efdf97de0f57dae8db91a073f484152ad5fe086715623fffeb0/DSC00409_lzn.jpg" data-mid="237742776" border="0"  src="https://freight.cargo.site/w/1000/i/9947927a62de2efdf97de0f57dae8db91a073f484152ad5fe086715623fffeb0/DSC00409_lzn.jpg" /&#62;Ritual Memory, performing with Caiqin, my mother on Zoom at A Space Gallery, 2025
Photo by Edith LoveMobile Navigational Help: Click on dots on the top right corner
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	<item>
		<title>Ritual Memory</title>
				
		<link>https://junyimin.cargo.site/Ritual-Memory</link>

		<pubDate>Tue, 02 Sep 2025 16:32:12 +0000</pubDate>

		<dc:creator>jun!yi min</dc:creator>

		<guid isPermaLink="true">https://junyimin.cargo.site/Ritual-Memory</guid>

		<description>Ritual MemoryLive performance, 1hr 30 minutes
2025A Space Gallery, Brooklyn NYCurated by Vic Fu and Sam Blumenfeld as part of Body Intimacies, a queer performance art series at A Space Gallery

Sound Artist: Onu
 Technical Director: Sy HananPhoto Documenter: Edith Love
Poster Design: Claire Beini Zhang
Poster Picture: Emily Yang
 
Special thanks to: Caiqin for performing with me from Singapore, Miaoye Que for translations, Alishya Almeida for creative and emotional support.&#38;nbsp;
Ritual Memory is a two-part performance screening that navigates queer childhood memories through personal rituals and self-built rites of passages. In part one, Jun! and her mother co-perform while screening a film that involves narrating childhood stories to her mother on a virtual walk around her childhood home. The second part features a sound performance with Onu that accompanies a screening of Jun!’s performance film, Our Belly is a Mirror.


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	<item>
		<title>A Practice for a Home Without a Ceiling</title>
				
		<link>https://junyimin.cargo.site/A-Practice-for-a-Home-Without-a-Ceiling-1</link>

		<pubDate>Tue, 02 Sep 2025 16:09:13 +0000</pubDate>

		<dc:creator>jun!yi min</dc:creator>

		<guid isPermaLink="true">https://junyimin.cargo.site/A-Practice-for-a-Home-Without-a-Ceiling-1</guid>

		<description>A Practice for a Home Without a Ceiling
Live performance, 1hr 30 minutes
2025A Space Gallery, Brooklyn NY
 Curated by Vic Fu and Sam Blumenfeld as part of Body Intimacies, a queer performance art series at A Space Gallery
Technical Director: Sy HananDocumentation by interns of A Space, Jinghe Lin (Video) and Reena Zhang (Photo)

Special thanks to: Min Xiaodi for performing with me from Singapore, Miaoye Que for tech support, Alishya Almeida and Emily Yang for creative and emotional support.
A Practice for a Home Without a Ceiling is an ongoing queer familial practice of navigating home, distance, and belonging with place and within oneself. Jun! performs with her father via Zoom and screens a performance film where Jun! co-searches with her father for his demolished childhood home in Suzhou, Wujiang over Zoom. In between the Zoom performance and Zoom film lies a ice installation representing the ice that has formed between Jun and her father as she transitions genders.&#38;nbsp;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/8b147b67462ee90b8f7d952f64e9e17270670ece5527b5ece8adc7418ddc9659/Home-Without-a-Ceiling-A-Space-177.jpg" data-mid="237741002" border="0"  src="https://freight.cargo.site/w/1000/i/8b147b67462ee90b8f7d952f64e9e17270670ece5527b5ece8adc7418ddc9659/Home-Without-a-Ceiling-A-Space-177.jpg" /&#62;&#60;img width="5789" height="3859" width_o="5789" height_o="3859" data-src="https://freight.cargo.site/t/original/i/51358acb4adb5147f63e5db1cc756142b9c77e28638ee9776a69ddd65121f10b/Home-Without-a-Ceiling-A-Space-162.jpg" data-mid="237740999" border="0"  src="https://freight.cargo.site/w/1000/i/51358acb4adb5147f63e5db1cc756142b9c77e28638ee9776a69ddd65121f10b/Home-Without-a-Ceiling-A-Space-162.jpg" /&#62;&#60;img width="5069" height="3379" width_o="5069" height_o="3379" data-src="https://freight.cargo.site/t/original/i/853c286bee03ae57606bc00ad1e11fcf6535e5110fc73557d8d63f51d8d129c6/Home-Without-a-Ceiling-A-Space-065.jpg" data-mid="237740985" border="0"  src="https://freight.cargo.site/w/1000/i/853c286bee03ae57606bc00ad1e11fcf6535e5110fc73557d8d63f51d8d129c6/Home-Without-a-Ceiling-A-Space-065.jpg" /&#62;
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</description>
		
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	<item>
		<title>can I touch you through smoke and ashes</title>
				
		<link>https://junyimin.cargo.site/can-I-touch-you-through-smoke-and-ashes</link>

		<pubDate>Wed, 28 Aug 2024 10:20:43 +0000</pubDate>

		<dc:creator>jun!yi min</dc:creator>

		<guid isPermaLink="true">https://junyimin.cargo.site/can-I-touch-you-through-smoke-and-ashes</guid>

		<description>can I touch you through smoke and ashes
Live performance, 25 minutes
Best Practice, 2024Photos by Lyra Montoya
I cut out my grandfather’s body from family archive photos and rolled the cut-out photopaper into a joint. I then smoked the joint and recited a memory about attending his Zoom funeral, processing how the digital procession made the immateriality of death even more immaterial—unable to feel his departure, to see him, nor to touch him. Through the performance I was able to metaphorically burn his body, inhale it in, and watch the joint turn to ash.


&#60;img width="3456" height="4608" width_o="3456" height_o="4608" data-src="https://freight.cargo.site/t/original/i/e488f6d40a0aa64f9ad70d297381a97a68ecae4774cd375d01f419557c668d51/P7131999.JPG" data-mid="217085317" border="0"  src="https://freight.cargo.site/w/1000/i/e488f6d40a0aa64f9ad70d297381a97a68ecae4774cd375d01f419557c668d51/P7131999.JPG" /&#62;&#60;img width="4608" height="3456" width_o="4608" height_o="3456" data-src="https://freight.cargo.site/t/original/i/8e7d7342bea45347b9c6d1121220807292011d370c37e3ab8768ca997c684075/P7131992.JPG" data-mid="217085316" border="0"  src="https://freight.cargo.site/w/1000/i/8e7d7342bea45347b9c6d1121220807292011d370c37e3ab8768ca997c684075/P7131992.JPG" /&#62;

This is a 360 subtitled documentation, you can drag around to view the performance. 
</description>
		
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	<item>
		<title>I hope we wake to a body we love</title>
				
		<link>https://junyimin.cargo.site/I-hope-we-wake-to-a-body-we-love</link>

		<pubDate>Wed, 28 Aug 2024 09:36:38 +0000</pubDate>

		<dc:creator>jun!yi min</dc:creator>

		<guid isPermaLink="true">https://junyimin.cargo.site/I-hope-we-wake-to-a-body-we-love</guid>

		<description>I hope we wake to a body we loveMFA Thesis Exhibition + Thesis Performance, SME Gallery, 2024Exhibition photos by wren gardner, performance photos by Adrian-Dre DiazVideo documentation (edit to come) by Jamil Baldwin and Chanell Stone
Title inspired by Kai Cheng Thom’s I Hope We Choose Love: A Trans Girl’s Notes from the End of the World, and K Jacobson showing me Dan Reeder’s Born A Worm
With gracious support from Russell Foundation Grant
Special thank yous to Nataly Rojo, Emily Yang, Gin To for performance support.





















This exhibition reflects on the suicidal undertones of
endurance performance art. On one end of the gallery shows a performance where
I spent a night in a bulldozer, on the other end, a performance where I sat on the margins of an active highway. In the center of the exhibition, a naturally
patina-ed car grounds the exhibition with its machinic presence and metallic
age. It serves as a reflective body that quietly signals to the death drive,
contact with heavy machinery, and passage of time that the two video
projections sandwiching it contain.&#38;nbsp;
In the performance, I took a sleeping pill and fell asleep in the car hugging a rock. I left the audience a video where I monologued instructions to strip the car of all objects, replace them with hand-tie buoquets of highway wildflowers, and to finally collectively wake me up softly.
Performance

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Exhibition View










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</description>
		
	</item>
		
		
	<item>
		<title>after 400 years</title>
				
		<link>https://junyimin.cargo.site/after-400-years</link>

		<pubDate>Wed, 28 Aug 2024 15:01:38 +0000</pubDate>

		<dc:creator>jun!yi min</dc:creator>

		<guid isPermaLink="true">https://junyimin.cargo.site/after-400-years</guid>

		<description>after 400 years, a machine emerges from taking care of the humans and decides to take care of themself
Live performance, 16 minutes
In collaboration with poet alishya almeida, Main Gallery, UCSD, 2024Filmed by Heige Kim
alishya and I respond to Heige Kim’s “out of place” installation together.
</description>
		
	</item>
		
		
	<item>
		<title>_ntangle</title>
				
		<link>https://junyimin.cargo.site/_ntangle</link>

		<pubDate>Wed, 28 Aug 2024 08:16:11 +0000</pubDate>

		<dc:creator>jun!yi min</dc:creator>

		<guid isPermaLink="true">https://junyimin.cargo.site/_ntangle</guid>

		<description>_ntangle
Live Performance, 60 minutes
Bread and Salt, 2022

photos by Nick Lesley, videos by edith love, naomi nadreau, 

	
		
		
	
	
		
			
				
					mika Casteñada

				
			
		
	


For the performance, I video-called my family, who were tuning in from Singapore, to introduce them to my chosen family on the ground. I then hung them up in the open ceiling of the performance site to watch me crawl into a plastic cocoon bag.&#38;nbsp;



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&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/9676e94879b8c467c341f5497645049bffeb01a4c04577e1698f8b7151a32f9d/IMG_3342.JPG" data-mid="217078278" border="0"  src="https://freight.cargo.site/w/1000/i/9676e94879b8c467c341f5497645049bffeb01a4c04577e1698f8b7151a32f9d/IMG_3342.JPG" /&#62;



</description>
		
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	<item>
		<title>Cooking with Jun!</title>
				
		<link>https://junyimin.cargo.site/Cooking-with-Jun</link>

		<pubDate>Wed, 28 Aug 2024 15:10:32 +0000</pubDate>

		<dc:creator>jun!yi min</dc:creator>

		<guid isPermaLink="true">https://junyimin.cargo.site/Cooking-with-Jun</guid>

		<description>Cooking with Jun!
Live performance, 25 minutes,
Qualcomm Institute, 2024
Documentation by Qualcomm InstituteWith gracious support from Qualcomm Institute’s Initiative for Digital Exploration of Arts and Sciences (IDEAS) Grant

I reallocated my vision to the audience as I cooked my mother’s fishhead soup recipe. The audience is invited to control two sticks protruding from the white box that had webcams mounted on the other end. Each stick’s webcam feed is livestreamed into my VR goggle to form my vision; left stick connected to my “left eye”, and right stick to my “right eye”. I rely on the audience to see and cook safely within the white box.
 &#60;img width="2832" height="4240" width_o="2832" height_o="4240" data-src="https://freight.cargo.site/t/original/i/4a5ee6b105530105b6fba219659af8a2e1fd5d2d097134e2a91eab25327b7044/ideas---jun-and-hazel_51941348492_o.jpg" data-mid="217096208" border="0"  src="https://freight.cargo.site/w/1000/i/4a5ee6b105530105b6fba219659af8a2e1fd5d2d097134e2a91eab25327b7044/ideas---jun-and-hazel_51941348492_o.jpg" /&#62;&#60;img width="4240" height="2832" width_o="4240" height_o="2832" data-src="https://freight.cargo.site/t/original/i/086777ad3397a8d7d79d760278cea6c9377c77a2d2f3b84451b91d28a654bbb6/ideas---jun-and-hazel_51942659299_o.jpg" data-mid="217096212" border="0"  src="https://freight.cargo.site/w/1000/i/086777ad3397a8d7d79d760278cea6c9377c77a2d2f3b84451b91d28a654bbb6/ideas---jun-and-hazel_51942659299_o.jpg" /&#62;&#60;img width="4240" height="2832" width_o="4240" height_o="2832" data-src="https://freight.cargo.site/t/original/i/c2a67b41da4ea56c38c802ba37442a4c85a24b0b89a1da0cbc258f4ffe2b798c/ideas---jun-and-hazel_51942338546_o.jpg" data-mid="217096211" border="0"  src="https://freight.cargo.site/w/1000/i/c2a67b41da4ea56c38c802ba37442a4c85a24b0b89a1da0cbc258f4ffe2b798c/ideas---jun-and-hazel_51942338546_o.jpg" /&#62;&#60;img width="4240" height="2832" width_o="4240" height_o="2832" data-src="https://freight.cargo.site/t/original/i/136c029fed22eb8a541c805df5311b53debfb5b1a99188641dd43e2717f6b4f1/ideas---jun-and-hazel_51942337856_o.jpg" data-mid="217096210" border="0"  src="https://freight.cargo.site/w/1000/i/136c029fed22eb8a541c805df5311b53debfb5b1a99188641dd43e2717f6b4f1/ideas---jun-and-hazel_51942337856_o.jpg" /&#62;&#60;img width="4240" height="2832" width_o="4240" height_o="2832" data-src="https://freight.cargo.site/t/original/i/8a7928f2df39c965c5d571f38063811dc92f35cecb7cfadd1b799198ac4f76d9/ideas---jun-and-hazel_51941346577_o.jpg" data-mid="217096207" border="0"  src="https://freight.cargo.site/w/1000/i/8a7928f2df39c965c5d571f38063811dc92f35cecb7cfadd1b799198ac4f76d9/ideas---jun-and-hazel_51941346577_o.jpg" /&#62;&#60;img width="4128" height="2757" width_o="4128" height_o="2757" data-src="https://freight.cargo.site/t/original/i/b7eeb1c2e4180c94e00fbf95bb3a09afe8fb52376faee19419aa5eb91b37682e/ideas---jun-and-hazel_51942336291_o.jpg" data-mid="217096209" border="0"  src="https://freight.cargo.site/w/1000/i/b7eeb1c2e4180c94e00fbf95bb3a09afe8fb52376faee19419aa5eb91b37682e/ideas---jun-and-hazel_51942336291_o.jpg" /&#62;
</description>
		
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	<item>
		<title>Our Belly is a Mirror</title>
				
		<link>https://junyimin.cargo.site/Our-Belly-is-a-Mirror</link>

		<pubDate>Tue, 26 Aug 2025 15:11:15 +0000</pubDate>

		<dc:creator>jun!yi min</dc:creator>

		<guid isPermaLink="true">https://junyimin.cargo.site/Our-Belly-is-a-Mirror</guid>

		<description>Our Belly is a Mirror16mm digitalization, 7’48”2025
Cinematography by: Edith Love 
Special thanks to: Sy Hanan, Emily Yang
A ritual with a cocoon and chrysanthemum flowers.&#38;nbsp;&#60;img width="2204" height="1546" width_o="2204" height_o="1546" data-src="https://freight.cargo.site/t/original/i/e1d26c3f84cf52c8cb4302feb76541a48693d75c66feac3875ba4ff5e9577622/Apexart-.png" data-mid="237485665" border="0"  src="https://freight.cargo.site/w/1000/i/e1d26c3f84cf52c8cb4302feb76541a48693d75c66feac3875ba4ff5e9577622/Apexart-.png" /&#62;


&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/20d3dacedf98cfc971226271155d1814a5f2ce6aca653584460dfc724786f52f/Sequence-01.00_01_49_08.Still003.png" data-mid="237485666" border="0"  src="https://freight.cargo.site/w/1000/i/20d3dacedf98cfc971226271155d1814a5f2ce6aca653584460dfc724786f52f/Sequence-01.00_01_49_08.Still003.png" /&#62;
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/3af2d80a01886920f5283cb9094b3ab6f8404c76559cb6597f15d45d8093c7b3/Sequence-01.00_04_29_16.Still007.png" data-mid="237485670" border="0"  src="https://freight.cargo.site/w/1000/i/3af2d80a01886920f5283cb9094b3ab6f8404c76559cb6597f15d45d8093c7b3/Sequence-01.00_04_29_16.Still007.png" /&#62;
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/0d566187e2a3bb3a1f0a11856a9c51785a4adc3f3278e1ce5fce5b4c9a53bb37/Sequence-01.00_05_35_09.Still010.png" data-mid="237485673" border="0"  src="https://freight.cargo.site/w/1000/i/0d566187e2a3bb3a1f0a11856a9c51785a4adc3f3278e1ce5fce5b4c9a53bb37/Sequence-01.00_05_35_09.Still010.png" /&#62;
&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/2e49f1e6a85c596494f2b5c3df6c01fa872db71a2086bbff05ea8e90da3c015e/Sequence-01.00_06_30_21.Still011.png" data-mid="237485674" border="0"  src="https://freight.cargo.site/w/1000/i/2e49f1e6a85c596494f2b5c3df6c01fa872db71a2086bbff05ea8e90da3c015e/Sequence-01.00_06_30_21.Still011.png" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>THE SHADOW IS A MIRROR, THE MIRROR IS A WEB</title>
				
		<link>https://junyimin.cargo.site/THE-SHADOW-IS-A-MIRROR-THE-MIRROR-IS-A-WEB</link>

		<pubDate>Sun, 16 Feb 2025 03:55:31 +0000</pubDate>

		<dc:creator>jun!yi min</dc:creator>

		<guid isPermaLink="true">https://junyimin.cargo.site/THE-SHADOW-IS-A-MIRROR-THE-MIRROR-IS-A-WEB</guid>

		<description>THE SHADOW IS A MIRROR, THE MIRROR IS A WEBFilm, 37 minutes
2025


















A 37-minute uncut film consisting of handheld footage featuring a
butterfly struggling in a spiderweb for the entirety of the film. Besides a
brief frame of a foot and a shadow, the camera operator’s presence is mainly
made material through handling noise, camera shake, uncut perspective shifts,
and a brief intertitle. Through the spectrally durational presence of the
operator who never sets out to free the butterfly, the film animates the act of
witnessing as an act that is deeply personal.





				
			
		
	

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